Search Results

Temporary Exhibition celebrating Scottish Rock and Pop, running 4 March to 25 September 2022 Don't You Forget About Me Celebrating Scottish Rock and Pop 4 March - 30 October 2022 Due to popular demand, the exhibition has been extended until 30 October 2022. We're looking north for the inspiration behind our new exhibition, celebrating the massive contribution to British Rock and Pop made by Scottish artists. The exhibition features iconic pieces from bands and artists who have helped shape the global music landscape over more than 60 years. The collection includes the Burberry coat worn by Midge Ure in the classic Ultravox pop video for Vienna, as well as the Tom Ford leather `Elvis’ outfit designed for Texas lead singer Sharleen Spiteri and the Issey Miyake coat worn by Biffy Clyro’s Simon Neil. Instruments loaned for the exhibition include Cream legend Jack Bruce’s Aria bass guitar, and a Fender Stratocaster used by Big Country frontman and Skids guitarist Stuart Adamson, as well as an Ibanez acoustic guitar played by John McGeoch, once of Magazine and Siouxsie and the Banshees. There are also many other fascinating artefacts with significant contributions from artists such as Runrig, Primal Scream, Fish, Clare Grogan, Eddi Reader and the Bay City Rollers which include other iconic outfits, awards and pop culture gems. Harvey Goldsmith CBE and Chair of the Trustees of the British Music Experience said “We are delighted to be hosting Don’t You Forget About Me at the British Music Experience. It’s undeniable there have been monumental talents out of Scotland each year and the Museum is here to learn about and celebrate that talent, reminisce, and explore some of the unique bands and artists. The talent from Scotland is a vital part of the proud export of UK music which dominates the world.” Head of UNESCO City of Liverpool, Kevin McManus, commented “It’s great that BME are showcasing the best of Scottish music through Don’t You Forget About Me. There is musical talent all over Scotland, but Liverpool has strong links with Glasgow in particular- another maritime city that has consistently proved itself to be a musical powerhouse over the last 50 years. Indeed, both Liverpool and Glasgow are proud holders of the UNESCO City of Music designation, further linking and making us even closer musical allies.” The exhibition will be supported throughout its stay at the British Music Experience by a series of events including film screenings, performances, album playbacks and talks as well as some hard-to-find band merch and bespoke artwork celebrating Scottish talent. Ronnie Gurr, who has co-curated the exhibition and worked with countless Scottish artists during his lengthy career in the music industry, commented, "I was honoured when the BME invited me to pull together a smaller but equally beautiful reboot of the exhibition I had previously curated for the National Museum of Scotland called Rip It Up: The Story of Scottish Pop and to re-acquire some of the key artefacts from artists who have played their part in Scotland’s brilliant musical history. I have previously been described by the Scottish media as “the Indiana Jones of Scottish music” and, as such, it was another labour of love, a glorious adventure and a renewed quest to track down the treasures that you’ll see in Don’t You Forget About Me - or, as it might be called...Caledonia and The Pool of Life.” Entry is included in the price of admission. All tickets purchased are valid for 12 months and each eligible visitor has the opportunity to support the Museum by Gift Aiding the cost of admission.

Thank you HLF, DCMS and Cultural Recovery Grant Thanks to the Government's Cultural Recovery Fund... The British Music Experience is thrilled to announce a grant for £97,800. Thanks to the Government's Cultural Recovery Fund the BME will keep its doors open in a covid safe way, retain jobs, programmes, activities and celebrate the UK's rich music heritage. Without these vital funds the Museum would most likely have been mothballed, jobs lost, and a world renowned collection of objects dispersed. We are so grateful. Thank you. Culture creates jobs, supports livelihoods, and brings joy to everyone. The UK leads the world in the creative industries and we can all feel pride in that. Now, in these challenging times, it’s our turn to show our support for culture. With an unprecedented investment through the £1.57bn Cultural Recovery Fund, the government is #HereForCulture so it can weather the storm of coronavirus and come back stronger. And we are #HereForCulture too. #HereForCulture is a movement that unites the public, government and cultural organisations in support of our fantastic cinemas, theatres, music venues, museums, galleries and heritage. We want people to make sure that where they are able to visit local culture venues in their communities, they do so in a covid secure way. Plus, with more and more culture being curated online, there is no better time to support and enjoy all the new and exciting ways culture is available to us. By being #HereForCulture, we aren’t just supporting the people in the industry, we’re also supporting communities across the country.

An evening in conversation with one of the most successful musicians of his generation. An Evening in Conversation with Midge Ure 9 December - 7.00pm We are delighted to welcome one of the most successful musicians of his generation, Midge Ure to BME for an evening in conversation. An artist who has received Ivor Novello, Grammy, BASCAP awards along with a flotilla of gold and platinum records, really needs very little introduction. By the time Midge's single "If I Was" went to No1 in 1985 he had already crammed several musical lifetimes into a 10-year professional career - Slik, The Rich Kids, Thin Lizzy, Visage, Ultravox and of course the most famous one-off group in musical history Band Aid all had the guiding hand of his musical navigation. November 25, 1984 was a historic day for Midge and all of pop music, as 36 artists by the collective name Band Aid gathered at SARM Studios in west London under Ure's production. They recorded 'Do They Know It's Christmas?' a song he had just written with Bob Geldof as the industry's heartfelt and eloquent contribution to Ethiopian famine relief. 600,000 copies sold in its first week in the UK alone and that was only the beginning: 800,000 more were bought in the second week, more than three million world-wide, and the unstoppable emotion engendered by the project led to Live Aid, the summer 1985 global concert that, all exaggeration aside, spoke for a generation. Within months, a staggering £8 million had been raised for the starving in Africa, and Geldof said that without Ure's initial enthusiasm for the idea, not to mention his rapidly penned sketch for the single, neither Band Aid nor Live Aid could have happened. Midge’s career continues to this day as writer, musician, producer and TV presenter. Midge and his band Electronica are returning to the UK with the ‘Voice & Visions’ tour, celebrating 40 years since the release of Ultravox’s Rage In Eden and Quartet albums. For this special evening, Midge will be in conversation with publisher Ronnie Gurr talking about his career to date. As an extra treat he will also perform a couple of acoustic songs. Midge’s new photobook, ‘in a picture frame’ will also be on sale at the event - a stunning collection of photographs taken by Midge on his travels between 1980 and 1985. All tickets £16. On sale Friday 5 November, 10am. Tickets to the event will allow you unlimited general entry to the BME for one whole year. You can help us support and grow the archive and collection of instruments and outfits by agreeing to Gift Aid your event ticket. We will receive £0.25 for each £1 spent. Remember to complete your Gift Aid declaration and hand it to us on arrival. Thank you for the support.

All day screening of highlights from the Wembley Live Aid concert, held on 13th July 1985. Live Aid Takeover 15 July 2023 - 10am-5pm Join us on Saturday July 15th to celebrate 38 years since the original Live Aid concerts were held in 1985. Billed as the 'global jukebox', the event was held simultaneously at Wembley Stadium, attended by about 72,000 people, and John F. Kennedy Stadium in Philadelphia attended by exactly 89,484 people. Thirteen satellites were used to beam the concerts to television sets around the world with the estimated television audience 1.9 billion across 150 countries. It is estimated that more than £150 million has been raised for famine relief as a direct result of the concerts. We will be showing highlights from the Wembley Stadium concert on our main stage during regular museum opening hours, so you can watch a little or a lot, take a break to look around the museum or visit our Star Café before the next band take to the stage. As well as the footage, our Live Aid cabinet is full of original memorabilia from 1984 onwards. The concert will be running on our main screen throughout the day, meaning our regular stage shows will be suspended for the day to make way for this historical footage. Free (general ticket entry required). Some seating available.

Gift the Histroy of British Rock and Pop Gift the History of British Rock and Pop Gift Vouchers Buy an e-voucher for the music-lover in your life and they can visit t he British Music Experience - the UK’s only museum dedicated to celebrating British music. The museum boasts an unrivalled collection of memorabilia, stage outfits and instruments and includes galleries, interactive zones, audio visual experiences and holographic performances. They can also get hands-on in the Gibson Brands Interactive Studio by learning to play guitar, drums or keyboards and dance their way through the eras in the Dance the Decades studio. E-vouchers can be used across the museum, so can be used to purchase general entry tickets and can also be used in the Star Café and Merch Store. Simply choose the amount you wish to gift and customise the voucher with your own message. The recipient will receive an email with all the detail and if they have an iPhone, they can download the voucher to their Apple Wallet. Please note, the recipient can only redeem the gift voucher in the museum - they cannot buy tickets online. There is no requirement for them to pre-book, they just come along on the day and time they wish. Buy Now

In conversation with Will Sergeant plus book signing Echoes: A Memoir Continued In-conversation with Will Sergeant 24 August 2023 - 7.30pm *SOLD OUT* BME is thrilled to host the book launch event for Will Sergeant’s follow-up memoir, Echoes. Born and raised in a small council house in Melling, outside of Liverpool, Will Sergeant caught with raw honesty his early days in 2021’s Bunnymen: his mother leaving the family, his father damaged no doubt in ways we still don’t understand from World War Two, the demon drink skewering the lives of Will and his siblings. Despite a difficult start – and luckily for adolescent Will -- there was a chance visit to indie club Eric’s in Liverpool, which introduced him to the punk scene…and an alternative musical odyssey began. When Echo & the Bunnymen hit the studio to record their ground-breaking debut Crocodiles, the album was the making of the band, and a cult following began to grow. In Echoes, Will recounts the band’s whirlwind rise to stardom, sharing never-before-told anecdotes, including playing sold-out-shows at Whiskey A Go Go and experiencing the iconic New York club scene, supplemented by photographs of the cultural, social and political scenes at the time. This is a memoir to savour. Will Sergeant is a founding member of Echo & The Bunnymen. He has been cited as an influence for many bands and artists internationally, including U2, Red Hot Chilli Peppers and Radiohead. He lives in the north west of England and still tours across the world to this day with his band. Will is in-conversation with Liverpool’s UNESCO Head of Music, Kevin McManus. The in-conversation will be followed by a book signing. Books are available to purchase on the evening from Linghams Booksellers. Tickets £8 - on sale Friday 7 July, 10am

COOKIES This section provides details of the cookies used on this website. Follow one of the links below for further information: What is a cookie? Why do website developers use cookies? What cookies do we use? How to manage cookies What is a cookie? Cookies are text files containing small amounts of information which are downloaded to your computer or mobile device when you visit a web site. The cookie then sends this information back to the originating web site when you visit it again. Why do website developers use cookies? Cookies make the interaction between users and websites faster and easier, and help to improve websites. Without cookies, a web site could not remember a user's preferences or registration details for a future visit. Websites use cookies mainly because they save time and make the browsing experience more efficient and enjoyable. Cookies can also enable websites to monitor their users' web surfing habits and profile them for marketing purposes. What cookies do we use? We have classified our cookies according to the categories proposed by the International Chamber of Commerce. None of the cookies used on our websites gather personal information about you. Strictly Necessary Cookies These cookies are essential for the operation of our websites. They: Check if a user has closed the Cookie Notification bar at the top of the site. Verify that when you submit a form that it originates from you and not a fraudulent source Performance Cookies These cookies collect information about how our websites is used. The purpose of these cookies is to help us improve our website, and to report website usage for reasons such as rights reporting to music collecting societies. They: Integrate Google Analytics to help us collect anonymous data on website visitors that help us improve our services

Frankie guitarist Nasher in conversation plus acoustic performance Frankie's 1984 Christmas In-Conversation with Nasher, plus acoustic performance 2 December - 7.30pm By Christmas 1984, Frankie Goes to Hollywood were unstoppable. With two massive No.1s already under their belt, their now iconic Christmas hit The Power of Love went to No.1 on December 8th. This was the first time a band had notched up three No.1s with their first three debut single releases since fellow scousers Gerry and the Pacemakers. “We’d had sex and war, so religion was obviously the next stop on the controversy train” Nasher THE LADS ARE BACK! We’re excited to announce that Frankie guitarist Nasher is coming back to the BME to talk about all things Christmas 1984 with local music-writer Paul Fitzgerald. The lads will be talking about The Power of Love, touring America, Band Aid, Christmas TOTP and their three sell-out shows at the Royal Court in Liverpool. As an extra treat, Nasher will also be performing the band’s iconic Christmas song. All tickets £8, on sale Friday 29 October

TERMS AND CONDITIONS Within this information when the British Music Experience (or BME throughout this document) is mentioned, this relates to British Music Experience, registered number 06364836. Access to, and use of, the BME website is provided subject to the following Terms & Conditions: Our website http://www.britishmusicexperience.com , is an internet service published by BME. In entering our site, you are accepting our Terms and Conditions. We may decide to change them at any time and if we do so those changes will be written into these terms and conditions. Terms of Use Disclaimer/Limitation of Liability Copyright and Other Intellectual Property BME Products Indemnity Laws and Jurisdiction Rules and Regulations Booking Terms & Conditions Accessibility Terms of Use You agree to use this site only for lawful purposes, and in a manner that does not infringe the rights of or restrict or inhibit the use and enjoyment of this site by any third party. Such restriction or inhibition includes, without limitation, conduct which is unlawful, or which may harass or cause distress or inconvenience to any person and the transmission of obscene or offensive content or disruption of normal flow of dialogue within this site. 2. Disclaimer/Limitation of Liability This site and the information, names, images, pictures, logos and icons regarding or relating to BME, its products and services (or to third party products and services), is provided “as is” and on an “is available” basis without any representation or endorsement made and without warranty of any kind whether express or implied, including but not limited to the implied warranties of satisfactory quality, fitness for a particular purpose, non-infringement, compatibility, security and accuracy. In no event will BME be liable for any damages including, without limitation, indirect or consequential damages, or any damages whatsoever arising from use or loss of use, data, or profits, whether in action of contract, negligence or other tortuous action, arising out of or on connection with the use of this site. BME does not warrant that the functions be contained in the material contained in this site will be uninterrupted or error free of viruses or bugs or represents the full functionality, accuracy, reliability of the materials. From time to time we may publish links to websites which we feel could be of interest to you. We make every effort to ensure that the sites we recommend are free of viruses or bugs and represent the full functionality, accuracy, reliability of materials, but we cannot be held responsible for the content of any external websites. 3. Copyright and Other Intellectual Property The British Music Website is copyrighted. The names, images and logos identifying BME, or third parties and their products and services are propriety marks of BME and/or third parties. Nothing contained herein shall be construed as conferring by implication or otherwise any license or right under any trademark or patent of BME, or any other third party. Any material found within the pages of http://www.britishmusicexperience.com/ , including text or images may not be copied, reproduced, republished, downloaded, posted, broadcast or transmitted in any other way except for your own personal non-commercial use. Permission for any other use must be obtained by contacting BME. We allow you onto this website in return for you agreeing not to adapt, alter or create any derivative work from any of the material contained in this site. In addition, the material cannot be used for any other purpose other than for your own personal and non-commercial use unless the appropriate license has been granted by BME. 4. BME Products All products and services mentioned in this site are subject to availability and are available at the sole discretion of BME. 5. Indemnity You agree to indemnify and keep indemnified BME from and against all claims, damages, expenses, costs and liabilities arising in any manner from your entry to and use of the site other than in accordance with these terms and conditions. 6. Law and Jurisdiction If any of these Terms and Conditions should be determined to be illegal, invalid or otherwise unenforceable by reason of the laws of any state or country in which these Terms and Conditions are intended to be effective, then to the extent and within the jurisdiction which that Term or Condition is illegal, invalid or unenforceable, it shall be severed and deleted from this clause and the remaining terms and conditions shall survive, remain in full force and effect and continue to be binding and enforceable. These terms and conditions shall be governed by and construed in accordance with the laws of Great Britain. Disputes arising here from shall be exclusively subject to the jurisdiction of the courts of Great Britain. 7. Rules and Regulations Occasionally within the site you may find other rules or terms relating to specific material which may conflict with or contradict these terms and conditions. These could be rules for competitions, specific download requirements, or prize draws, for example. If there is any conflict then the rules or terms relating to specific material will win out over the more general terms and conditions. For specific competition terms and conditions please email info@britishmusicexperience.com 8. Booking Terms & Conditions Customers wishing to amend the date or time of any booking following the purchase of ticket(s) should notify BME by calling 0151 519 0915 or emailing info@britishmusicexperience.com . For the avoidance of doubt, the booking fee will apply to all bookings made on BME’s website. Proof of entitlement for concessionary tickets will be required for entry. Please note that once purchased, general entry tickets cannot be refunded. If BME is required to close, any general entry tickets issued for use on the day of closure can be exchanged for a future date within a one-year period. If BME is required to cancel an event due to COVID-19, bookers will be contacted with the option to donate the ticket value, receive credit to the value of their order or receive a full refund. The management reserves the right to refuse admission. Visitors are reminded that from time to time parts of the Experience may be closed for maintenance or for technical reasons. Visitors should be aware that there may be school groups in the attraction during a visit. Tickets For the purposes of ticket purchases, the following definitions which are used on our Site shall apply: (a) Adult means a person aged from 18 years old to 59 years old inclusive; (b) Carer means a person who accompanies a Disabled person for the purpose of providing them necessary support and assistance with accessibility; (c) Child means a person aged from 5 years old to 15 years old inclusive; (d) Concession means a Senior or Student; (e) Disability means a physical or mental impairment that has a substantial and long-term negative effect on a person’s ability to do normal daily activities within the meaning of the Equality Act 2010 and Disabled shall be construed accordingly; (g) Group means a group of 15 or more people, including Adults, Children, Senior Citizens or Students; (h) Child < 5 means a child aged 4 years old or under; (i) Senior means a person aged from 60 years old; (j) Student means a person who is 16 and over in education and holds a valid and current identity card which shows they are a student. Children The BME exhibition is suitable for children. All children under the age of 5 are admitted free to the exhibition. Children under the age of 16 should be accompanied at all times by an adult over the age of 18. Parents with young children are welcome in BME. Buggies may be taken anywhere. Locker facilities will be provided, subject to availability. Baby changing facilities are available. Visitor Health and Safety BME may draw visitor’s attention to certain Health & Safety procedures to which visitors must adhere to. Visitor Conduct BME reserves the right to prosecute any persons found damaging or defacing any part of the Experience. Visitors are required to observe the following prohibitions while at the Experience: No smoking No pets or animals except for guide dogs and hearing dogs No consumption of food and drink inside the exhibition (except bottled water) without expressed permission of BME No access to any area of the attraction other than areas designated for access by visitors No use of illegal drugs or consumption of alcohol except in authorised places and in accordance with the Licensing Act 2003 Security In the interest of safety, visitors may be asked to submit to a search of their person or belongings and anyone refusing to submit or found to be in possession of materials believed by BME to be dangerous or unsuitable will be denied entry or removed from the Experience. BME accepts no responsibility for loss, theft or damage to any personal belongings brought into the Experience or left in lockers. Photography Photography and video recording is strictly prohibited within the galleries. From time to time BME or other authorised third parties may carry out photography or other recording at the attraction and any images or recordings may feature visitors. Visitors consent to the use of such images by BME in connection with advertising, promotions or monitoring and acknowledge that the copyright in such images rests with BME and/or any authorised third party. 9. Accessibility All circulation spaces and galleries at BME are fully accessible. BME is on the ground floor of the Cunard Building. The main entrance has 12 steps going up to it. There is disabled access situated at the side entrance to the building on Water Street. Please see a member of crew for assistance. There is level or ramp access throughout the foyer, main exhibit area, shop and café. All areas of the exhibition which have audio have integrated loop systems, visitors who wear hearing aids should switch them to the T Setting. There is seating for rest points throughout the exhibition. Parking There is no designated car parking for BME. There is public pay and display parking around the Cunard Building along with extensive car parking facilities at the Albert Dock and Liverpool ONE. Wheelchairs The circulation space within the building is fully accessible for wheelchairs. Toilet Facilities There are accessible toilet facilities within the main toilet section in between the Star Café and the Discovery Zone. These facilities feature emergency alarms and communication points. Facilities for those with hearing loss BME is designed to be a multi-sensory exhibition. BME is a self-guided experience, however, audio guides are available with a British Sign Language option. Printed versions of our audio guide are available on request. Hearing Dogs are welcome. Facilities for those who are blind or partially sighted Guests who are blind of partially sighted can request additional assistance from a trained member of our crew. Requests must be made in advance by contacting info@britishmusicexperience.com or 0151 519 0915. Guide Dogs are welcome. Please note that the lighting levels within the exhibition space are low. Other areas have large windows out on to the riverside, which can be extremely bright. Carers BME operates a Free Carers Policy, whereby it offers a free carer ticket to any customers who requires essential assistance to visit our building.

Join us this Christmas as we screen the iconic 1984 film Gremlins Christmas Film Night: Gremlins 16 December - 7pm Join us as we conclude our celebration of 1984 by screening one of the big Christmas films from that year - Gremlins. In search of the perfect Christmas present for Billy his teenage son, Randall Peltzer comes up with a ‘Mogwai’. But, this otherwise sweet and furry pet companion comes with a warning: should its unwise owner break the three fundamental guidelines of owning such a unique creature, all hell will break loose. Of course, Billy disregards the strict rules, and as the once-adorable animal spawns terrifying minuscule critters, the suburban haven of Kingston Falls is under siege. Now, there is no turning back, and destruction is at hand. Is there an escape from this endless Yuletide nightmare, and the horrible menace of the Gremlins? Director: Joe Dante Certificate: 12A Please note, our galleries are closed during film screenings. There are no ads or trailers, the film starts at 7pm. Tickets £8 / £6.50 concession/child/Independent Liverpool member (ID required)

Exhibition launch event in conversation with Peter Hooton and Keith Mullin from The Farm 70 Years of the Official Singles Charts Exhibition Launch - In Conversation with The Farm 17 November 2022 - 7.30pm November 14th 2022 will mark 70 years since the first singles chart was published by the New Musical Express’s Percy Dickins in 1952, topped by Al Martino’s Here In My Heart. BME is partnering with the Official Charts Company to honour the UK's chart-topping singles over those 70 years. From legendary chart battles, Christmas hits, record breakers and novelty records to one-hit wonders, holiday hits and classic themes tunes – the No.1 spot is the coveted spot for any musician. Join us for a very special evening in conversation with Peter Hooton and Keith Mullin from The Farm as they discuss the Official Charts. They’ll be talking about their chart-topping heroes and influences, their own chart singles and their No.1 single as part of The Justice Collective, He Ain’t Heavy, He’s My Brother. We’ll be playing the videos of Groovy Train, All Together Now and He Ain’t Heavy on the big screen before the band discuss each single. Groovy Train reached No.6 in September 1990 and All Together Now peaked at No.3 in December 1990. It was on the crest of this wave that their album Spartacus reached No. 1 the following year. The Justice Collective went on to take the coveted Christmas No.1 position in 2012, beating X Factor winner James Arthur. The Farm will be in conversation with Liverpool’s UNESCO Head of Music, Kevin McManus. Image: The Justice Collective collecting their No.1 Award, credit Tony Attile. All tickets £8.

A film telling the untold story of Leeds-based anarcho-pop band Chumbawamba followed by a Q&A with frontman Dunstan Bruce. I Get Knocked Down Film screening + Q&A with Dunstan Bruce Thursday 16 February, 7.00pm I Get Knocked Down is the untold story of Leeds-based anarcho-pop band Chumbawamba. Founding band-member Dunstan Bruce is 59, and he is struggling with the fact that the world seems to be going to hell in a handcart. Twenty years after his fall from grace, Bruce is angry and frustrated, but how does a retired middle-aged radical get back up again? In this punk version of Charles Dickens’ A Christmas Carol, Dunstan is visited by the antagonistic ghost of his anarchist past – his alter ego, ‘Babyhead’ – who forces him to question his own life, sending him on a search for his long-lost anarchist mojo. Following Bruce’s personal voyage of rediscovery, redemption, and reawakening, I Get Knocked Down acts as a call to arms to those who think activism is best undertaken by someone else. ‘It was everything I hoped it would be and more…it’s going to resonate with a lot of people who are getting older and have lost their revolutionary side.’ Charlie Phillips, The Guardian The screening will be followed by a Q&A with Dunstan Bruce. Dunstan Bruce was the vocalist with Chumbawamba; famous for their worldwide hit Tubthumping (I Get Knocked Down) of 1997. His soundtrack for 'Whatever; A Teenage Musical' was nominated for an RTS Craft Award for Best original Soundtrack. He produced Daisy Asquith's 'Clowns' and Exec produced Jeanie Finlay's 'Sound It Out' and Toby Amies' 'The Man Whose Mind Exploded'. His documentary 'This Band Is So Gorgeous' was nominated for the IDFA Melkweg Best Music Documentary 2012 and his last film ‘A Curious Life’ was number 2 in the DVD music chart in Spring 2015. Director: Sophie Robinson, Dunstan Bruce Length: 87min All tickets £10. Our Star Café-Bar is open from 6.00pm. Please note, our museum galleries are closed during film screenings. There are no ads or trailers.